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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Bust of Peter Garrett
Bust of Peter Garrett
Bust of Peter Garrett

Bust of Peter Garrett, 1991-2016

Peter Schipperheyn
Portrait, carved marble on travertine marble base

Gift of the artist 2018. Donated through the Australian Government's Cultural Gifts Program.

Peter Schipperheyn with bust of Peter Garrett

Peter Schipperheyn

'A quintessential Australian character'
Portrait story

Sculptor Peter Schipperheyn talks about working with marble and his portrait of Peter Garrett.

Test #5 Garrett in landscape: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #5 Garrett in landscape: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #5 Garrett in landscape: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #5 Garrett in landscape: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark pigment with alum on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

image not online

Peter Garrett, 1999

Karin Catt
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2002

Peter Garrett, Midnight Oil, 1987 Bob King

Peter Garrett, Midnight Oil

Bob King
Image
Peter Garrett, Midnight Oil, 1986 Bob King

Peter Garrett, Midnight Oil

Bob King
Image
Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground'
N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground'
N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground'

N.T. Ranger Uranium: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground

Nothing's as precious as a hole in the ground, 2001

eX de Medici
Portrait, mangrove bark pigment, watercolour and gouache on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'
Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'
Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'

Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark dye with alum on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove reduced bark dye (no alum) on unsanded vellum

Commissioned with funds from the Basil Bressler Bequest 2001

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache and pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency